Free Essays words 2. The Caregiver is encouraging and supportive and their character is fulfilled when they make a difference in the life of someone else. The Hero is a protagonist whose life is a series of well-marked adventures, characterized by courage, strength, and honor Strong Essays words 4. My initial thoughts of the novel were that it was solely built on the complete devastation of two characters lives and the surrounding landscape and their constant search for survival. However after giving it further insight I discovered the underlying messages of the importance of good and bad people in my life, the beauty of the little things in life and constant greed showed by desperate individuals.
I believe the novels successes comes from the messages of the significant value of human life and the importance of memories in our lives After an abrupt, unexplained end of the world, the father and son are two of very few survivors left on Earth. Strong Essays words 3. McCarthy composes his work so graphically that readers are drawn right into the story.
The boy constantly begs his father to be sympathetic and charitable to the drifters that they encounter on the road, but the father usually refuses or either puts up an argument before finally giving into the boy, and handing over one or two cans of food to the stranger Everything is destroyed and murders march the streets at night.
Hell on earth is a gentle description. Cormac McCarthy's speculation of the end of the world, however, ensures that evil is not victorious. The biblical allusions Cormac McCarthy addresses in The Road illuminate a sense of hope in a bleak, empty world. Despite a grim first impression, the repetitive imagery of ash represents hope according to symbolism found in the Bible.
Ash becomes a natural setting, described throughout the whole book, with a seemingly melancholy mood Strong Essays words 7 pages. Essay Preview. Read Full Essay Click the button above to view the complete essay, speech, term paper, or research paper.
I am going to die, he said. Tell me how I am to do that" His encroaching death, evidenced by his worsening cough and the increasing amounts of blood he spits out, stalks the reader. Even descriptions with rich colors and textures serve as reminders of death. When the man dreams of his wife, of his life before the universal destruction, he considers these dreams to be the call of death beckoning him from the bleak reality of his present life.
These brief passages throughout The Road only highlight the world's inertial motion towards death, a force that also seems to drive the protagonists on their journey, especially for the father. The theme of paternal love is ubiquitous given the relationship of the two protagonists.
The Road Themes
As the man's wife points out before her suicide, "the boy was all that stood between him and death" In other words, the man's thirst for survival is fueled by the love for his son. While the man may expect his own death, he lives in order to seek life for the boy. Unlike his wife in her suicide, the man does not wish to "save" his son from civilization's destruction, rape, murder, and cannibalism by killing him preemptively.
To the father, suicide is only an option for the son if he is to be imminently harmed. Perhaps for this purpose he leaves the pistol with the boy whenever he explores a new and potentially unsafe location alone. The man's love for his son does drive him to ensure his son's survival. The man frequently demonstrates the strength of this love, most obviously in his unflinching decision to shoot and kill the man who threatens the boy's life.
Throughout the entire journey, the man does not kill out of malice or for food. He only hurts others the man who attacks the boy and the thief who takes their cart when they have threatened the boy's survival. His wariness toward others, which is well justified, seems primarily for the protection of his son. In less dramatic and violent situations, the man gives his son as many "treats" as he can in such a world--an old can of Coca Cola, a powdered drink mix.
The Road ( film) - Wikipedia
As the man lays dying, he tells his son to eat his share of food, instead of keeping it for himself in hopes of regaining his health. These small gifts and sacrifices are strong examples of his paternal love. The theme of good versus evil is perhaps most appropriate for a post-apocalyptic novel. This theme may be more explicit in The Road than in any other McCarthy novel. More than once, the boy seeks confirmation from his father that they are the "good guys" and that the "bad guys" are those who seek to hurt them--thieves, murderers, and cannibals.
According to the man, the good guys are those who "keep trying. They dont give up" sic, A symbol of the goodness in human perseverance and hope is the "fire" that the father assures his son they carry. As a "good guy," the man and the boy carry the fire internally, meaning that they strive to live under all circumstances. In such a world, however, the conflict between the good guys and the bad guys is not at all clear.
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To the father, they are the "good guys," even though the father commits a murder for the sake of his son. The man does not consider acting violently in defense of his son's survival evil. Yet, what makes this choice more praiseworthy than the choices of the people who kill and even cannibalize others in order to survive?
Indeed, the boy does not understand the need to hurt others in any circumstances, even when they may pose a danger to his own survival or have already hurt him. For example, the boy pleads for his father to spare the thief and, even more, to help him. Because he is complicit in the father's punishment of the thief stripping him of his clothes and shoes , the boy no longer feels like one of the "good guys. Perhaps worst of all, the boy cannot agree with his father that the right thing to do is to refuse to help others who are in dire need, especially when they have not shown any evidence of being dangerous.
The reader if not also the boy perceives that in such a difficult world, the distinction between good and evil is rather nuanced; people's actions taken at face value are far from enough to determine whether someone is a "good guy" or a "bad guy.
The Cormac McCarthy Journal
Issues of trust figure prominently throughout The Road , particularly with regard to the man's relationship with his son. On the surface, this theme is expressed through the conflicts between the protagonists and other people they encounter on the road. For example, the man who draws a knife on the boy initially attempts to coax the father into joining his comrades at their truck.
The father rightly does not trust this man--appropriately, since the man attempts to harm the boy only seconds later. In fact, the father does not trust any other individual they see or meet. Only his son extends his humbling trust in others, offering to help Ely and the thief without first determining whether their intentions are malicious. More subtly, McCarthy also explores issues of trust between a father and his son, here between the man and the boy. The boy looks to his father not only for information but also for guidance and reassurance. Though he often seeks reassurance, the boy also realizes that his father may not always be truthful about their chances of survival.
The boy admits that he thinks his father might lie to him about dying, to which the father responds, "Okay. I might.
But we're not dying" McCarthy The man also questions the boy's trust regarding the issue of "good guys. Toward the end of the novel, the son no longer wants to hear his father's stories because he deems them untrue. In a brief but telling exchange, the boy tells his father: "I always believe you Yes I do. I have to" Mccarthy In this respect the son's trust in his father is forged out of necessity. The man is the boy's only companion and authority figure, and he knows about the nature of human life before the unnamed catastrophe.
The father's longer years and longer experience make it impossible to fully discount the father, so the son has reason to trust him in addition to the fact that he must count on his father for protection. Religious faith--and religious doubt--figure prominently in this novel. At times, the father's quest south to ensure his son's survival is carried out with religious fervor: "the child was his warrant.
When Ely expresses surprise at meeting a child, the man counters, "What if I said that he's a god? Indeed, the man treats his son as an individual above all others, with a devoutness that arguably surpasses the usual sentiments of paternal love, affection, and protection. In other instances, however, the man expresses doubt about, or at least questions, the existence of a higher power.
He raised his face to the palling day. Are you there? Will I see you at the last? Ely goes further and outright denies the possibility of God's existence in such a destructive place as earth "There is no God and we are his prophets," , whether or not divinity is incarnated in the boy. You'll see" sic,
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